| PREDICTIONS
Best
Picture:
Beloved
Elizabeth
Saving Private Ryan
Wild Cards:
American History X
Primary Colors
Wilde
Best
Actor:
Tom Hanks, "Saving Private Ryan"
Geoffery Rush, "Elizabeth"
John Travolta, "Primary Colors"
Wild Cards:
Stephen Fry, "Wilde"
Mike Meyers, "54"
Ben Stiller, "Your Friends And Neighbors"
Best
Actress:
Cate Blanchett, "Elizabeth"
Christina Ricci, "The Opposite Of Sex"
Oprah Winfrey, "Beloved"
Wild Cards:
Salma Hayek, "54"
Vanessa Redgrave, "Wilde"
Best
Supporting Actor:
Sir Richard Attenborough, "Elizabeth"
Matt Damon, "Saving Private Ryan"
Cuba Gooding Jr., "What Dreams May Come"
Wild Cards:
Anthony Hopkins, "The Mask Of Zorro"
Martin Landau, "The X-Files"
Brad Renfro, "Apt Pupil"
Best
Supporting Actress:
Kathy Bates, "Primary Colors"
Thandie Newton, "Beloved"
Catherin Zeta-Jones, "The Mask Of Zorro"
Wild Cards:
Joan Allen, "Pleasantville"
Christina Ricci, "Fear And Loathing In Las Vegas"
Reese Witherspoon, "Pleasantville"
Best
Original Screenplay:
David McKenna, "American History X"
Michael Hirst, "Elizabeth"
Robert Rodat and Frank Darabont, "Saving Private Ryan"
Wild Cards:
Dan Roos, "The Opposite Of Sex"
Andrew Niccol, "The Truman Show"
Neil LaBute, "Your Friends And Neighbors"
Best
Adapted Screenplay:
Akosua Busia, Richard LaGravanese and Adam Brooks, "Beloved"
Elaine May, "Primary Colors"
Julian Mitchell, "Wilde"
Wild Cards:
Brandon Boyce, "Apt Pupil"
Terry Gilliam, "Fear And Loathing In Las Vegas"
Best
Director:
Jonathan Demme, "Beloved"
Shekhar Kapur, "Elizabeth"
Steven Spielberg, "Saving Private Ryan"
Wild Cards:
Tony Kaye, "American History X"
Mike Nichols, "Primary Colors"
Brian Gilbert, "Wilde"
Best
Original Score:
David Hirschfelder, "Elizabeth"
Harry Gregson-Williams, Rupert Gregson-Williams, Stephen Schwartz
and Hans Zimmer, "The Prince Of Egypt"
Debbie Wiseman, "Wilde"
Wild Cards:
Rachel Portman, "Beloved"
Randy Newman, "Pleasantville"
Phillip Glass and Burkhart von Dallwitz, "The Truman Show"
Best
Cinematography:
Tak Fujimoto, "Beloved"
Remi Adefarasin, "Elizabeth"
Martin Fuhrer, "Wilde"
Wild Cards:
Tony Kaye, "American History X"
Phil Meheux, "The Mask Of Zorro"
Peter Biziou, "The Truman Show"
Best
Film Editing:
Jil Bilcock, "Elizabeth"
Michael Bradsell, "Wilde"
Joel Plotch, "Your Friends And Neighbors"
Wild Cards:
Alan Heim, "American History X"
Andy Keir and Carol Littleton, "Beloved"
William Goldenberg, "Pleasantville"
|
Written by DAVID KEYES
January 4, 1999
So this is how we close
a year.
This is how we honor
our best movies; how we challenge our opinions and concepts of the
year’s greatest films: the Academy Award predictions. Just attempting
to touch the subject is likely to brew up some mischief among critical
opinions. The 1998 year closed with a record-breaking number of
great films; how can you try to pick which ones will and will not
get nominated?
Half the time, the Acadmey
likes to shut out some of its deserving contenders in the nominations.
They demonstrated that earlier this year when they failed to nominate
movies like "The Ice Storm" for deserving categories. Last year,
"Evita" was shut out of some of its most merited effort. The list
of complaints, of course, goes on and on, but what can you do?
This year, it’s fairly
obvious that some of the better movies might not even be considered
by the Academy as great acheivements; in fact, almost half of the
year’s good movies will be overlooked for some of the year’s more
mediocre ones. But, of course, the three best films of the year,
"Beloved," "Wilde," and "Elizabeth," are entitled to any nominations
they get. Actually, these three films might be the biggest competitors,
though "Wilde" was released earlier this year and may have a poorer
chance at the trophy than the other two.
The predictions for
Academy Award nominations are as follows. Listed in each of the
given categories are the six of the strongest contenders for this
year--three of which are the year’s most assured nominees, and three
of which are wild cards that are potential finalists, but not likely
to get the nominations. Therefore, the wild card choices listed
are personal favorite considerations, which I hope get final recognition,
even though it seems unlikely. These choices, of course, are all
really deserving nominees, but as we all know, the Academy enjoys
nominating films and giving cold shoulders to others despite what
we critics think. Therefore, these predictions are just the obvious
choices, speaking in terms of the Academy, of course. One of the
great movies of the year was "Deep Impact," but do you think that
the Academy would consider major category nominations for it?
Our opinions will be
more reflected in a show like the Golden Globes, which is a discussion
all by itself.
© 1999, David Keyes, Cinemaphile.org.
Please e-mail the author here
if the above review contains any spelling or grammar mistakes. |