| Written
by DAVID KEYES
April 4,
2001
Many wonder
why journalists even bother to make predictions on Oscar winners;
seldom are their forecasts accurate to the actual results. This
year, I can certainly identify with these kinds of people.
After six
weeks of long and hard contemplation and personal debates, I forged
up my own, comprehensive list of winner predictions, only to have
it thrown directly back in my face by a slew of surprises, upsets,
and utter jaw-droppers at the 73rd Annual Academy Awards. It is
always said that we cannot expect anything from the Academy, but
who would have guessed so many predictions could be thrown so far
off track?
We could start,
for instance, over the near-sweep of Steven Soderbergh’s “Traffic,”
a film, despite receiving critical raves, was considered too mature
and depressing to actually wind up with major wins. But it collected
4 of the 5 trophies it was nominated for, one of them being for
Best Director for Soderbergh, who actually managed to upset predictions
by beating out Ang Lee, the man that won this year’s Directors Guild
of America prize. It is only the fifth time in the last half-century
in which a DGA winner has not gone home with the director Oscar.
“Traffic”
also cleaned up with Film Editing, Adapted Screenplay, and Best
Supporting Actor (Benicio del Toro). Its only loss was in the Best
Picture category, in which the prize was given to the obligatory
choice, Ridley Scott’s “Gladiator.” The roman epic, not as surprising,
was the night’s biggest winner with five statues, including one
for Russell Crowe in the Best Actor category, which many (including
myself) had projected to go to one of the other top two contenders
(either Tom Hanks or Ed Harris).
The supporting
actress category provided enough drama for both optimists and confident
individuals of a Kate Hudson victory. Many had assumed the young
star of “Almost Famous” would be the surefire winner here because
1) she is young, and 2) is the daughter of Goldie Hawn. It wasn’t
all surprising for me to see her walk away empty-handed, though
(she lost the Screen Actor’s Guild to fellow nominee Judi Dench,
after all), but it was rather odd, in the long run, seeing Marcia
Gay Harden be the one to upset her. Harden is a sparsely-known name
in a movie that has received little to no attention from the masses
(in fact, “Pollock”s only other Oscar nod was Best Actor nominee
Ed Harris), while the other nominees were widely embraced and had
very distinctive roles.
Julia Roberts,
on the other hand, predictably walked away from the ceremony with
the Best Actress honors despite growing concern that Ellen Burstyn
could cause a huge upset. When she received the award on stage,
she indicated that, even though the producers wanted speeches limited
to 45 seconds, she was going to take her time saying some things.
“I love the world! I’m so happy!” Roberts announced with her arms
flying in the air.
Also as predicted,
“Crouching Tiger, Hidden Dragon” shared in the night’s wealth (although
not as significant as its admirers would have liked). The movie
took home 4 awards for itself, including one for Best Foreign Film,
which many assume is the only reason why it lost the Best Picture
award to “Gladiator.” It also took home the awards for Cinematography
and Art Direction, two honors that could have easily belonged to
“Gladiator.”
Other honors
(and big surprises, in fact) went to “Almost Famous” for Original
Screenplay, “U-571” for Sound Effects Editing, “Wonder Boys” for
Original Song and (!) “How The Grinch Stole Christmas” for Makeup.
©
2001, David Keyes, Cinemaphile.org.
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